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Hola, hola, I'm Cristina and this is Spooky Tales, the
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podcast for all things spooky, haunted places, myths, legends, and
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sometimes horror books. And that is what we are doing today.
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There is no Carmen, but I was lucky enough to
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be accompanied in this episode by the one and only
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Cynthia Pelayo herself. For those that, for some reason, don't
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know who Cynthia Pelayo is, she is a Bram Stoker
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Award-winning and International Latino Book Award-winning author and poet, the
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first Latina and the first Puerto Rican to win the
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Bram Stoker Award. She writes fairy tales that blend genre
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and explore grief, mourning, and cycles of violence. She's the
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author of Loteria and so many of our other favorite books,
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but today we are talking about her newest work. Something
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followed us home. Or lo que nos siguió a casa
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en español. This book was edited by her. And let
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me just read you the blurb from Simon & Schuster here.
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Dive into the chilling depths of Latina horror with this
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groundbreaking anthology edited by Bram Stoker Award winner Cynthia Pelayo,
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where each story reimagines immigration, colonization, faith, and folklore as
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the fears we inherit and carry across borders and generations.
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Something followed us home. It crawled in with our prayers,
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slipped into our beds, watched from mirrors, waited in water,
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and learned our names. Gathering chilling work from some of
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today's most acclaimed Latina voices, this horror anthology moves through
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haunted households, brutal landscapes, sacred spaces turned dangerous, and bodies
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claimed by forces both ancient and intimate. The dead murmur
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behind locked doors. Bones rebuild themselves under merciless suns. Love
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becomes a doorway for demonic hunger. Blood, devotion, and memory
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intertwine as the past presses back with teeth. Something Followed
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Us Home is an unnerving, visceral, and impossible-to-shake collection that
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proves that what is carried forward does not remain quiet,
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and what follows us rarely leaves without taking something in return.
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And this book features stories by some of our absolute
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faves that we've already talked about in our other book
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club episodes. Agustina Basterrica, Isabel Cañas, Gerardo Samano Cordoba, the
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author of Monstrilio, Maria Enriquez, Leopoldo Gu, which we read
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piñata for the book club. Monica Ojeda, who is on
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our TBR. Of course, Cynthia Pelayo herself and so many
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other authors. There's a story in here for everyone. It's
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going to make you cry. It's going to scare you.
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Some stories are going to make you laugh. This feels
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like a must read for this spooky season, which for
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us here is 24-7. So I'm going to stop rambling now.
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And here is our episode with Cynthia Pelayo talking about
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Something Followed Us Home, but also her journey into becoming
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a horror author and a paranormal story of hers. So
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I'm here with Cynthia Pelayo, the author of so many
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of our favorite books.
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Thank you. Thank you. But today, we're here to talk
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about one specific book, a collection of short stories, which
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I have here with me, Something Followed Us Home. Yes,
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I like the English and the Spanish.
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Yes, I started reading some of them in Spanish, but
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I don't know. I feel like listening in Spanish is
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so much easier for me than reading in Spanish. But yeah, first,
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I just want to say how much we loved this book.
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For our listeners that haven't heard about the book, can
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you tell them a little.
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Bit about it? Yeah, so Something Followed Us Home, Lo
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Que No Sigo A Casa, it is a Latino, Latina
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horror anthology. But many of the authors here don't come
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from the tradition of horror. And that was very important
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for me. I wanted to connect with as many people
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like leading figures in Latin American literature. Because I wanted
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their perspective of a prompt that I had given them.
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And I am just thrilled. So overall, the theme was
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what haunts you from where you're from? Like what has
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followed you throughout your life? If you've left your home country,
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your ancestral home, like what story or stories do you
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feel like are always like in the back of your mind?
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And that was it. And I made it very general.
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And all of the stories are so, so, so different
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in the way they wrote it, in what they wrote about.
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And I am just like thrilled. So we have, I mean,
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we have like Mariana Enriquez, we have Agustina Basterica, we
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have Alex Segura, Leopoldo Gaut, Brenta Lozano, Monika Ojeda. It
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was just like, I feel like everyone I've ever read
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was in this book. It was, it was like a,
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you know, a project of a lifetime. There was like
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just one author. And I will say her name, that
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I couldn't get Samantha Schwiedman. I wanted to get her
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because she wrote and she was just finishing her last
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story collection. And I just remember like begging. And they
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were like, and she's literally wrapping up edits just because
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I'm like, I fever dreams like in the back of
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my mind all the time. And I would have loved
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to have, I mean, but she gave us the good
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and evil or her last story. But they all, they've
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all been so wonderful. And I'm so grateful to everyone here.
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I mean, Zoraida Cordova, I mean, it just kind of
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goes on. I'm like, thank you for trusting me. Yeah. Yeah, no,
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it truly is amazing.
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Like I said, almost like every we have a they're
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supposed to be monthly, but we take so long reading
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one single book that they end up being like every
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six months.
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But we have a book club, like specific book club episodes.
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And I feel like everyone, every author that we've had
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for a book club episode is in this collection of stories.
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That's very cool. I'm really glad. Yeah, it was just
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like I'm even like looking at Daniel. Daniel was older,
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who writes a lot of like young adult and fantasy.
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I was like, well, how would you approach this? So
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it's just been I'm sad that it's now going to
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go into the world because it's been fun. It's been
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like the best group project in the background. I've just
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been I've just had like a blast with all of them.
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I bet.
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How did this even come together? Did you just wake
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up one day and you're like, you know what we need?
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A collection of horror stories or just stories from Latin
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America about what haunts us.
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How did this come to be? I wanted it to
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be positioned more as a literary anthology. And the more
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that I kept thinking of, and this was when just
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a number of things started picking up in the news.
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Things happening. And I really wanted a literary approach to this,
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like more general fiction. Like I didn't want it categorized
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in a specific genre. And so like, I had been
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in touch with many of them and I, you know,
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kept saying, you know, I want it to be something
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connecting to where we're from. And I wanted that. But
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then the more that just the last few years have
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seen a lot of increased intentions. I just kept thinking
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of all the anxieties that we've been living with. And
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I started then being curious, like, well, you know, somebody
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from Argentina, like, what is, what kind of anxieties do
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you have? And like, Brenda Lozano wrote the introduction and she's,
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she lives in Mexico, she's from Mexico City and she
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lives in Mexico. And I was just like, I really
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wanted to like hear from her, like, what is going on?
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Like for you who live in Mexico City, how are
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you interpreting all of this. And so it kind of
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became this conversation of what are you experiencing there? Because
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this is what I'm experiencing here. And then it just
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kind of became like, all right, it's going to be
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more of this tension of what we're dealing with. And
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the publisher wanted it to be positioned more like framed
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more horror. But I think if you read it, it's
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just people think horror and they think like blood and
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guts and violence. And so sometimes that's not necessarily what
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horror is. Sometimes horror is the fear of not feeling
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like you belong or that you're not accepted or that people,
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Ananda Lima's story, that there's a lot about linguistics and language,
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how you're not understood. So I think, and it was
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important for me also that people saw us, people from
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Latin America, not as a single thing. Because we are so,
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so different. I was born in Puerto Rico. My husband's
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from Mexico. Even speaking Spanish to him. And I've known
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him for like 25 years. Even speaking Spanish to him,
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I'll say something and he's just like, what are you
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talking about? You know, he's taking me to Mexico. I've
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taken him to Puerto Rico. And so we both have
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experienced like our cultures are so different. And then when
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you come here to the States, it's even different. And
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we're different state by state. Puerto Ricans in New York
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are very different than Puerto Ricans in Chicago or Florida.
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And so I really wanted people to see we're not homogenous.
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We all have different fears. And we all, although one
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thing that I found that was really fascinating was that's
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why I wanted to kind of not push so much
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the prompt. I wanted to see what they came back with.
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So many of them, family and belonging just kind of
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seem to be a consistent theme throughout.
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Yeah, I noticed that there's so many of the stories
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are about either belonging, family or both. One of my
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absolute favorites, and I didn't even expect it, but where
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is it? Oh, Pomelo by Xochitl González.
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How beautiful. I... That was really, and I really wanted
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to include her. I was just like, and she was like,
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I don't write horror. I'm like, you have something. Yeah, yeah.
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When you write, she's a journalist and she covers like
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so many fascinating topics. I'm like, dig, dig. You have
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to find it. And she had this piece and she's like, well,
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it's not a short story. It's more like a novelette.
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It's a longer piece. And it was beautiful. It's so beautiful.
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I'm looking forward to people reading Fomelo, yeah.
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It was absolutely a gorgeous story. And another one of
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my favorite stories was yours. And it's not the only
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Puerto Rico one. What was the other one? It was
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also very fun. Her first cruise ship, the one with
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the zombies. I did not expect that. That was so good.
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And I just feel like I keep looking at Anne
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and I'm like, this story... It's going to hit the
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awards circuit. And I am predicting it's going to hit
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the awards circuit because it's funny, but the social commentary underneath,
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I'm like, it's so smart. Yeah.
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And it's so interesting to see two stories, both set
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in Puerto Rico, but very, very different.
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Yeah. Yeah. Hers is modern. Mine takes place. It's like
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a more historical piece. And it's very, yeah, it's much more.
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I write a lot of sad things. I was like,
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it was so sad. I cried.
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Actually, that leads me to what I was going to say.
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One of my absolute favorite things about reading horror is
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that it's used to explore themes. And yours is not
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the only story that touches on this, but it's used
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to explore themes on about imperialism, colonization.
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Historical injustices. Um, is this like, was this intentional when.
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You were reading, when you were writing your story and
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here out of the Puerto Rico, or did it just like,
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did it just happen? You were just like writing and
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it just, it's what came out, what came out. So
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I've never really written widely about Puerto Rico. I've written like,
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I did Loteria, but, um, that was my MFA thesis.
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I did Loteria, but that was like all different stories.
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I did that book, That was a.
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Special edition that had a lot of stuff about my family.
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And then I did something in the Stephen King End
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of the World as we know it. And I knew
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when I wrote this piece, I knew when this book
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came together, I knew I'm going to deal with the
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Ponce Massacre. And when I was younger, much, much... I
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shouldn't even say this, but I'm going to say it.
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So when I was much, much younger, I... would attend
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a lot of protests dealing with the bombing that was
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going on in Vieques. Yes.
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We have another history podcast called The Historias Are Known,
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and we've done an episode on Vieques. We did one
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about the Ponce Massacre, one about Lolita Lebron. So I
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know me and Carmen are more familiar with it, but
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I don't know if, I mean, we do have a
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lot of crossover with listeners that listen to both podcasts.
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So I think a lot of listeners are familiar with
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the Ponce Massacre because of that episode.
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Thank you. And so like, I was really involved with
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like a You know, a lot of local youth groups.
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I was involved with like developing a lot of youth
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initiatives to like foster education and whatnot. And one of
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the things that we wound up doing, we wound up,
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a group of us went to New York for like
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this huge protest about it. I mean, the military is
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no longer in Vieques. However, I wound up getting an
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FBI file. Oh my God. For many years because of
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my involvement. I went into the military when I was
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very young, when I was 17. And so I come
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from a military family. But at the time, I remember
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they're literally bombing. There's bombing exercises happening on our island.
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Children are developing really rare forms of cancer. Oh, yeah.
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And then like the fishermen, they couldn't do like sustain
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what they used to live on, like because of the
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chemicals affecting the water. Houses were being like like falling,
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caving in because of like the shaking from the bombings